The Top Ten Reasons I Qualify
as a Dance Reviewer
11. Did the Time Warp while hairdresser for a production of The Rocky
Horror Show starring John Fleck, one of the NEA Four.
10. Studied at Ted Raden's Dance Studio when I was eleven, all the girls
were a foot taller than me; so I've always looked
up to dancers.
8. Daily Contact-Improv Roughhouse with my (then!) eleven year-old son
Jonathan.
7. Take still photos for BHHS Advanced Dance Theater Group web pages.
6. At UCLA's Royce Hall, I was one of the dwindling masochistic few to
sit through an entire Kei Ta Kei concert.
5. Performed with Dance Diner at the Hollywood YMCA. (D.D. was composed
of four wonderful dancers/choreographers: Naomi Goldberg, who directs The
Los Angeles Modern Dance and Ballet; Roxanne Steinberg, who traveled to Japan
and now dances butoh with Oguri; The bravely talented, and gone too soon,
Dan Albert; and Larry {became Lawrence, now Yehuda} Hyman, who choreographed
Bernstein's Candide directed by
Gordon Davidson at The Music Center, LA's classiest venue.) Truth be told,
I played basketball as part of a humorous, loosely rehearsed, though quite
well-received, piece.
4. Performed with Pina Bausch's Tanztheater Wuppertal during their Los
Angeles engagement of "Nur Du." I was one of 25 male extras: While topless,
we ironed our shirts as the company swirled around us; along with the company,
we crawled slowly around a darkened stage; and we polished our shoes (none
of which was as easy as it sounds!) We rehearsed for three days, were directed
by Pina, herself, and appeared in all four performances. I spoke to dancers
about Pina's creative process, the activity backstage was as riveting (sometimes
more) as onstage, and after each show we basked in the glow of a standing
ovation.
3. At a birthday party, I ate dinner next to and had a meaningful discussion
with The Los Angeles Times' Lewis
Segal, the dean of So. Calif. dance reviewers. At a later date, he was quite
complimentary of my reviews.
2. Twenty + years of Courtship/Marriage to choreographer Janet
(Tell It Like It Is) Roston.
And the No. 1 reason I qualify as a dance reviewer:
Everyone's a critic!